There is also an open-ended narrative that provokes us to ask- what exactly is going on here?
I almost see Hobson's work as resting in the space between Sam Taylor-Wood's Revolutionary Seconds, and Gregory Crewdson's Twilight or Beneath the Roses.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu39dGMhe7tCYxBvrhpYcW-xnd5CwA86jUtSvTR-qZxr_WI803JuN6O5Dm6DUu4_K7sBPRpis9iRJVCgmF2wupgq6z1jxa-MZxikk1S0Aw8nvgNLzUCV8JR6aBLfw6qBre3jnohUW-2Ka_/s400/en_adecisivemoment.jpg)
'a decisive moment'
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTDoiYBNpLMM-CCbTBNZK4QPudc-2HNtF-r2z9jk9PfTo0gksTlR43_2Q5VoiSIJEAjp636W3o_3PTPzuPmHKB-s9NH7nC9oaxXhvLwwZySO1HjLylZmTsDzzhtaFEfJInIH3dfx3-KOZP/s400/en_visitors.jpg)
'visitors'
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqRRtuypf7aGo2wjfFVlV_4lEnJy5fLkHq8zQKGOrqnI5UnPnGrwTg8Vml0XybPnNMcLa1MfL36SOhQj57lsDi2mbdkztjivg3ZN-mjKfmRu0dTkS9UsR0Y0vEZALW1VPI9JLxW3qvk89/s400/en_answerthefuckingphone.jpg)
'answer the fucking phone'
...and a photograph from his new work-in-progress series 'Femme verite' which continues to follow Hobson's personal narrative through self-portraiture while introducing a female alter.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM5m9pUTIQgD5qHW8ppMYkaWw7YHKrGL9rhczv-RsE_yLCvSF6ooNN_K8_hKOIZh7FqX1GPNSD7QecJRTxUokzkyZeHaeouqSzmDNqikXc7oNG3Hc4pB_hXmn0ItXP8rxoqyANB1pkSJwh/s400/complacent.jpg)
'complacent'
*They even have the black bars to emphasize the cinematic feeling!*
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